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Bereitschaftspotential

by Automating

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1.

credits

released March 20, 2014

Mastered by James Dean at Electric Sounds
Artwork by Ieva Arcadia
ICE035

VITAL WEEKLY REVIEW

Sasha Margolis hails from Melbourne, Australia and offers here a highly limited 3"CDR (edition of 25 copies) of 'studio created binaural soundscapes and archaic tape based drones. Field recordings, found sound, tape manipulation, noise and effects units', which perhaps sums it all up, already. We reviewed some previous works (Vital Weekly 841, 843 and 862) and I still have not much more information than just this, so let's go straight the music, which lasts exactly twenty-one minutes, and goes from noise 'n rhythm to drone to medium sized noise walls. And one point the sound goes down a bit, and overall this quite a diverse piece of music, moving in a dynamic way from medium low to a harsh ending. It has perhaps something that one could identify as 'retro sounding': the (perhaps) low resolution samples of the casio SK-5 maybe, topped with some fine sound effects and somewhere in the end stages of the piece a meandering desolated melody. This piece is made with some great care and consideration. Someone who knows what works and what not. I wouldn't have minded some more music by Automating, whose previous releases already gave me much pleasure. (FdW)
www.vitalweekly.net/930.html

MUSIQUE MACHINE REVIEW

Ice Age Productions presents Bereitschaftspotential, a 3” CD-R by Australia’s Automating. I wasn’t at all familiar with this project, but when I looked through the slim information available on the insert, I saw the name Sasha Margolis. I am familiar with Margolis’s work in Constant Light, having thoroughly enjoyed their krautrock meets synth drone album Mag-Amplitude. However, Automating is an entirely different beast altogether.

Aesthetically the packaging on this tiny fellow is rather plain and minimal. The unmarked disc comes in a polycase with black and white art featuring an ouroboros, geometric shapes, and some psychedelic line work than vaguely resembles a pentagram. The case is then inserted in a cardboard border to fit into a regular CD sized polybag. All in all, the art looks like reference work in a tattoo portfolio. I could take it or leave, so I’ll let the music speak for itself.

The tiny 3” disc contains a single track, of which Margolis makes the most of it’s 21 minute play time. Hard to define, Bereitschaftspotential is a collision of tape-based drone, dense atmospherics, field recordings (most notably the sounds of birds and a cat), degraded loops, stringed instruments (perhaps cello sounds created through a synth?), magnetic tape manipulations.and a number of other synth and effects based sounds. The piece evokes feelings of foreboding dread, through the use of dense atmospherics and a repetitive knocking sound, yet those doomy elements are tempered by the track’s instrumental moments and sparing use of animal sounds. There’s also quite a bit a of clicking, crunching, and sputtering going also, which I thought at first was a synthesizer, but could be more cassette manipulations...it’s hard to tell. All I know is that all that combined makes for an engaging listening experience that is every bit as good, although completely different to Margolis’s work in Constant Light.

All in all, an enjoyable and concise introduction to this talented composer’s work. I look forward to hearing more from this project in the future.
- Hal Harmon
www.musiquemachine.com/reviews/reviews_template.php?id=5345

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Automating Melbourne, Australia

Automating is Sasha from Melbourne, Australia. Sifting through the sonic waste and discarded technology left by the roadside of a world speeding too fast into the future. Field recordings, found sound, tape manipulation, noise and effects units. Currently pursuing live and studio created binaural soundscapes and archaic tape based drones. ... more

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